Figure of Shiva and Parvati (Uma-Maheshvara)

On display

Details

  • Title

    Figure of Shiva and Parvati (Uma-Maheshvara)

  • Associated place

    Madhya Pradesh (place of creation)
  • Date

    1st half of the 11th century
  • Material and technique

    sandstone

  • Material index

  • Technique index

  • Object type

  • Dimensions

    60 x 42 x 17 cm max. (height x width x depth)
  • No. of items

    1

  • Credit line

    Presented by Sir Sourindro Mohun Tagore.

  • Museum location

    First floor | Gallery 32 | India from AD 600
  • Museum department

    Eastern Art

  • Accession no.

    EAOS.70

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  • Catalogue text

    This is probably the archetypal icon of the later Hindu period in North India and parts of the Deccan. Śiva (Maheśvara, the “great god”) sits in lalitāsana (the same pose as in [EA1971.14 and EA1965.161], with Umā (another name for Pārvatī, Śiva’s śakti or divine Power), seated on his left thigh, her right arm thrown around the neck of the god; in the other hand she holds a mirror.

    Śiva, with his unusually tall jaṭā-mukuṭa (the crown entwined with the matted hair of the ascetic and adorned with the crescent moon), is four-armed. His two upper hands hold the trident and a tricephalous serpent, his lower left clasps Umā around the waist, while his lower right in vyākhyāna-mudrā, the gesture signifying spiritual instruction, is placed near her right breast. Below are the usual assemblage: Śiva’s offspring, Gaṇeśa and Skanda (Kārttikeya), the latter barely indicated by a crude little peacock’s head, Nandī the bull and Bhṛṅgi, the skeletal ascetic, in a dancing pose. The lion, rarely represented in this icon, is Umā’s vehicle.

    Above, under a pair of flying celestial beings bearing garlands, sit two deities, whose emblems and implements are difficult to discern, but they most likely are Brahmā, because of his paunch, on the proper right, and Viṣṇu on the left.

    In: Harle, J. C., and Andrew Topsfield, Indian Art in the Ashmolean Museum (Oxford: Ashmolean Museum, 1987)

Further reading

Harle, J. C., and Andrew Topsfield, Indian Art in the Ashmolean Museum (Oxford: Ashmolean Museum, 1987), no. 45 on p. 37, pp. xi, 35, 46, 48, & 49, illus. p. 37

Reference URL

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